Wednesday, November 18, 2009

One Blog Too Many

I'm having trouble keeping up with this blog as well as my fashion blog, so I am now closing both in favor of a new blog which will host both topics. I hope to see what faithful readers I have left over there.

~ Katherine Anne

Friday, November 6, 2009

Simultaneous Submission Etiquette

Last week I received the following comment on the subjects of queries:
Question. How many query letters should I send out?
Instead of just replying to the comment I decided I would write my reply as a post so others can benefit from the answer - and since I don't know the commenters name or email (by the way, I'd really appreciate it if you could leave a web address next time, if you have one, since I would love to check your blog/web site out.) 

First of all, I want to make a note that you should write one query for each project. Do not write a query to pitch more than one project. This is not appreciated by agents - so don't do it. 

As for how many queries you should send out for the same project, the number varies depending on you and your project. Many agents now a days are open to simultaneous submissions, which means you can query as many agents as you want. (But you should check the guidelines of each agent to make sure it's fine, since there are still some agents who want exclusive queries.) Just make sure you do your research about the agent. Don't send your query out to a random handful of agents - you'll end up wasting your time as well as the agent, and irritate them.  The publishing industry isn't as small as it may seem - something like this has a chance of getting around - see this post for an excellent example.

Hope this helps! Questions are always welcome - just drop me a comment!

~ Katherine Anne

Thursday, November 5, 2009

Query Letters - Why You Need Them and How to Write Them

Yesterday I finally got around to writing a post for my new blog Publishing Advice. I though I'd post the article here as well:

Query letters - I've know the term for years, perhaps you have too.
But those aren't for me, you may argue, just as I did, that's for big, professional writers; I'm just going to go to the quicker, easier way and send my whole manuscript.

Wrong!

The fact of the matter is that agents and publishers today are swamped with query letters. Many, many people want to be published, and agents/publishers simply don't have the time to read whole manuscripts anymore - some are even refusing to accept them anymore. Instead, the publishing industry has turned to query letters.It takes a lot less time to read a query and the agent/publisher will also get an idea of your writing capability. If you want your book to get ahead; if you want to succeed as an author, a query letter is the way to go.

So what exactly should be included in a query letter? I'll tell you:

Greeting:
One sure-fire way to irritate the agent/editor right off the bat is start the query by saying "Dear Madam," or, "To Whom it May Consern," - oh, and you can substitute "madam" with "sir", "agent" or "editor". Do your reserch and find the name and title of agent/editor you are querying. You should be able to find this on the agency/publishers web-site.

Paragraph One:
The first paragraph of a good query letter should either include
the title, word count, and genre of your book -
I am seeking representation for ABIDE WITH ME, a 57,000-word crime novel about friendship, community, football, hope, and biscuits. Oh, and gangsters.
- or a hook to get the publisher/agent's attention:
While Josie Moore hasn’t exactly made peace with her decision to give up her baby boy, she has learned to accept it. She lives her life as if on hold, impatient for the day her son Austin turns eighteen and she is finally allowed to contact him.
In the first paragraph the agent/publisher finds out a lot about this book: is it a genre they represent/publish? Is the word count within their specifications? With hook query the agent will (hopefully) be instantly intrigued - why did Josie Moor have to give up Austin? What will happen when she gets to meet him? These sorts of questions will compel the agent to continue reading the query.

But literary agent, Janet Reid, the Query Shark has a warning about starting your query:
Don’t start with a rhetorical question. You’re talking to really sardonic people in New York City, and they’re not going to answer the question how you expect.

Paragraph Two:
In paragraph two you should start the synopsys if you didn't in the first paragraph - if you did than you can either stop it to give the genre, word count, and title now, or finish the synopsis first. One thing to keep in mind, though, is that your synopsis should not be more than two or three paragraphs - you don't need to tell the whole plot, just give the editor/agent enough to make them want them to read more.
Here are som words of wisdom about writing a synopsis for your query from literary agent, Rachelle Gardner:
To figure out how to do this, read the back-cover-copy or flap copy of your favorite books. The goal is not to give a detailed synopsis, but instead to write something interesting and informative enough that I want to read more.
Paragraph Three:
Either finish your synopsis, or give the word count, genre, and title now.

Paragraph Four:
Now is when you should tell the agent/editor a little bit about you, and anything you may have published before. You should use, caution, however, when mentioning self published thins - many agents and editors don't have much respect for self published books, so unless it's done really well, I wouldn't mention it.
Some other things to avoid mentioning from Rachelle Gardner's blog:

"My mother [best friend, husband, Great Aunt Matilda] told me I needed to write my story."
"For years, all my friends have been telling me I should try to get my work published."
"God told me to write this book." ...

Believe it or not, none of this is relevant in a query. It doesn't help an agent make a decision. It doesn't make your query any more attractive. Our experience tells us that there is rarely a correlation between how many people told you to write your story, and how good or publishable that story really is. And yes, this even includes God.

And since so many people say these things in their queries, once again you sound cliché if you say them...

They might truly love your work. But they most likely don't know the publishing biz.

(And for those of you who may have been offended by the bit about not mentioning that God called you to write it, Mrs. Gardner posted about that here.)

Closing:
Thank the agent/editor for taking their time to read your query (they're busy people you know!) but don't ask them to respond quickly, as a quick response usually means a rejection, since they'll need time to consider it if they're interested!

For more tips on writing a query letter you can visit Janet Reid's 20 Tips on Query Letters and Rachelle Gardner's post How to Write a Query Letter.

~ Katherine Anne Dawn


Credits and copyright notice: both query examples come from the Query Shark blog, number 123 and 117, both are copyrighted to their respectful authors and are used with Janet Reid's permission. All other writing in this post except where specified is copyrighted to me, 2009.

Thursday, October 29, 2009

NaNoWriMo Troubles Already

I wrote this earlier this afternoon:
In a last desperate attempt she put her iPod on shuffle and decided to take a different path than usual. Turning the corner she walked slowly, listening to songs she had not heard in ages and thinking thoughtfully of why she could not come up with any inspiration - or enthusiasm . Then, she caught her breath. There, just across the street from her there was a little corner of the world where the grass was hidden from veiw by a layering of leaves - pink and orange and red blending to make an unmatched hue of peace and calm.
The tree above still held some of it's precious leaves, which created a roof of the same color. And there, dancing and spinning and twirling in joy was Maud - her muse. She looked enviously as she walked past, thinking of all the ideas waiting there with Maud, and thinking of her characters - wishing the feeling would never leave. But as she looked to the left of her, there was inspiration too. Was it possible to have two muses, she wondered? For there, alongside the cool gray stone mansion, surrounded by pale green grass was another muse - different, but just as inspiring - sitting atop a small pile of small boulders, with a carpet of yellowing leaves at his feet.
That could be Callan's manor, she thought happily.
She walked up and down the street for several more minutes - then took a quick stroll down the middle of a street. It was then that it hit her - or rather, Emily appeared again. For the first time in a year Emily was before her again - begging for a second chance. Willing - even - to become older, wiser, more mature; and, to take a friend along - a chum.
But her authoress could not decide. She had promised Callan a last try - he deserved one, didn't he? But how, oh how! was she to write a book for which she had no inspiration, no motivation - and very little desire?


The above is a creative, rather coded way of saying that I am torn between several stories - Emily's, Callan's and then Bayards (he wasn't mentioned in the above :D). I have no idea which story to do and NaNo is only two days away! *screams*

Should I write a brief summery of each? I think I will:

"Callan's" Story
Adrianna has loved to sing from an early age, but she doesn't love her family knowing. Shy of doing it in front of them she goes everyday to the town center to preform with her friends, who call themselves the 'Carnelian Faeys'. Her dream is to preform for the king, but her closest family and even some of her friends don't think she can. Now, torn between her desire to prove them wrong and her deepest wish that her family would know and support her, will she make the right decision? And what Callan, her good friend? Is he really just a friend, or something very more?

Emily's Story
Emily was a normal teenage girl - well, if you can consider an authoress normal, that is. She had her her school work, her hobbies, her music, her friends and of course, her writing. Until - that is - her characters and her muse materialized. Other people could see them now - sounds great, right? Not great. They don't listen to a word she says. They're falling in love with other characters, buying apartments and all but a few loyal ones are completely disregarding all she says. On top of that nobody believes that she's the one who actually created them, not even her best friend, Alex. But what'd she expect? Being an authoress just wouldn't be the same without everyone thinking you're crazy!

Bayard's Story
Bayard's story takes place in a very Edwardian culture, but in a fictional world. He's been best friends with Isolda since they were children, but now it's more than that. The only problem is, she loves a mutual friend of theirs. On top of that she's deathly ill. He wants to help her so badly, but how can he?

It's mostly the first two I'm wrestling between. This is my last chance to save Callan, but I'm not inspired for his story, and I am for Emily's. Besides that, I'm not sure if I even want to save Callan's story anymore, but I can't bare to let go of it! Any sugestions would be great!

~ Katie

Sunday, October 25, 2009

YA Contest and Entry

Well, I found this awesome YA contest on the NaNoWriMo blog, and thought I would be nice and pass it on. :D

I also thought I would take a moment to post my entry for the contest. Constructive criticism is required very welcome.

"You can stay here," the pretty red-head told Audra causally, motioning to the guest room.
Audra was surprised at the finery of it; the walls were a soft yellow and there was a large dark blue rug with a pattern of of pink and yellow flowers on the hard wood floor. The white frame bed in corner was spread with a thick pink quilt and had many pillows propped up against the head board; while the vanity across from the bed held a white pitcher and basin atop it.
Gordana walked up to the vanity and, picking up a book and a glass filled with a transparent, green liquid - which smelled of pickle juice - said,  "Lativia has a gown you can borrow. I'll go get it." She then walked out, leaving Audra alone.
She walked slowly about the room, admiring the pretty things, before sitting quietly on the bed. It was a miracle for her to be in such a nice room after what had happened. She was eternally grateful to Gordana and her siblings - especially Emeric, but she wished that there was some way she could repay them; some way that she could earn her room and board. She hated getting charity, but what else was she to do? She had never felt so alone as she did then, with nowhere else to go, and no one else to turn to - she only wished to be with her family.
On a side note, there is only six days until November. I am very excited/happy.

~ Katherine Anne

Saturday, October 3, 2009

Studying the Present

Yesterday I stayed up very late watching several movies with some of my good friends. One of the movies was titled "The Fly" in short it's about a scientist who accidentally turns himself into a fly when one of his experiments goes wrong. This got me thinking about the science and how I would rather study the past then the present. But today I noticed something - I do study the present, only in a different way.

Writing, I believe, is the study of the present - the observation of how things look, emotions feel, scents smell and how we can best describe these things by choosing the right words. I am constantly on the look for inspiration in the world around me, and I always try to think - right then and there when I see it, feel it, hear it, or smell it - how I would describe it.

Aside from that - last month I finished the story for my YA novel, Audra. All it needs now is a whole lot of editing. I feel a little lost now. I can't start a new novel until November - but I don't know what to do until then. I don't like this feeling, and I just want November to come.

Speaking of, if anyone wants to add me to their buddy list on the NaNoWriMo site my username is "vintageauthoress".

~ Katherine Anne

Wednesday, September 16, 2009

The Desired Length of Books

Well I guess it's about time I post, huh?

This past weekend I spent the majority of my free time trying to finish the third draft of my 2008 NaNoWriMo novel. I succeed, only to decide last night that the book is not long enough. 43,000 words isn't even a true novel - it's too short. By finishing the book at this length I would be
a) selling myself short
b) minimizing the chances this book has at doing well and
c) cheating my readers.

One of my favorite books is Kilmeny of the Orchard by L.M. Montgomery. It was a delightful book with only one real fault - it wasn't long enough. Despite my attempt to read it slowly I still finished it within six-and-thirty hours of it's arrival in the mail. I don't want to do this to my readers.

I think the best length for a book of my kind is between 70,000 and 90,000 words. The basis for this hypothasis is the fact that Persusasion by Jane Austen is a little over 80,000 words, and Anne of the Island is 77,000 words. I've read both of these books and I think they are the perfect length - not so long that they are intimidating, but long enough that I had to work really hard to get them done in just two or three days.

So now I am back to my Google Doc, filling up the extra space with many, many ideas I had for this book but never put in. I meant to put them in later, more towards the climax - after Emeric's rival comes into the story - but it never worked out. I realize now that that's the way it is with most books like mine - in Ella Enchanted very little happens after Ella refuses Char; and in Anne of the Island Roy Gardner is hardly in the book except for mentioning that he was here or there. It also seems to me that in books such as these the climaxes are very short - the climax of Ella Enchanted is only a little more than a chapter; the climax in Anne of the Island is only two chapters; and the climax of Persuasion is between one and two chapters in length. No, no, my climax is fine, I need only to lenghten the time of Emeric and Audra's friendship.

I know this book won't be boring on account of the extra words - I have enough interesting scenes to keep the reader hooked - I'm just disapointed that I'm not done yet.

So what about you? How long are your books, and how long have you been working on them? Please comment and let me know.

~ Katherine Anne